Are Supercars Getting Too Vulgar?

I hate being Mr Negative-Pants, but some of the images I’m seeing at the start at the Geneva Motor Show are making me a little uneasy. I subscribe to the Richard Hammond theory that supercars are meant to be stupendous, they’re meant to be an event. But isn’t this going a little too far?

This is the new Ferrari, which is officially referred to simply as LaFerrari. True. I don’t mind the name at all, actually. What I’m having trouble with is the compartmentalised design:

What am I talking about, you say?

It looks like the car has been designed in bits and then those bits have been added together, or something. The design doesn’t flow. It doesn’t lead your eye from one place to another in a ordered way. It’s like there are 10 different design elements screaming “Look at me!” all at once.

The front wheel arches, which house but seem to be a different element from the healamps. The V shape on the hood. The deep vented doors. That crease before the rear vents. It’s like the Mr Potato Head of supercars – all stuck together.

Here’s how a Ferrari should look:

To me, the F12 Berlinetta flows. It’s got presence and power but it’s also got elegance. Maybe the LaFerrari needed a touch of madness in its design in order to command the crazy price they’ll as for what’s being talked of as their Enzo successor, their fastest car ever.

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Another offender, in my books – and I’m really loathe to say this because I know a lot of people already love this car – is the Lamborghini Veneno.

The looks aren’t the only thing that are slightly offensive with this car, but let’s start there:

This is even more disjointed than the LaFerrari! It’s as if it’s made from smoothed-over Lego. There are just way too many hard edges and holes in this design.

Here’s another view. Is this a car or a super-expensive, giant cheese grater?

Here’s what else is vulgar about this car. Ferrari have been mocked from pillar to post about their brand building and merchandising but Lamborghini deserve to steal their position as the #1 over-hyped supercar maker – and it’s all because of the Veneno.

They’re only making four of them and they’re only selling three of the four. They’ll keep the first one for themselves. They’re asking 3 MILLION EUROS for the car. Three-freaking-million and yet it’s only got just over 70% of the power of a Veyron or Koenigsegg.

Let me say this plainly – I don’t think it can do what a three-million-Euro car should do in terms of actually being a car. It’s theatrical, but it’s not a patch on some cars that sell for a third of the price.

That Lamborghini have sold all three of these is a masterclass in marketing, or suckerteering (a word I just made up).

But back to the looks – can you really say that you love this automotive version of Predator? Does it fill you with automotive passion or simply juice you up because you might induce some fear into some lowly Porsche driver? There’s a massive difference there.

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I’m a little less sure about including this third car because I actually quite like it. However, this photo of the McLaren P1 in yellow has not done it any favours.

Is it just me or does that look a little like a flouro basketball shoe from the mid-2000’s?

I’ll take mine in metallic grey, please.

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A supercar’s allure should be in its sense of theatre, not in its costume. The costume should add to the sense of theatre but it shouldn’t be the whole show. It’s up to the engine, the handling and the interior to add to that external design and complete the package.

I’m quite sure that all of these supercars are extraordinary to drive, but there’s something that’s just a little too brash about the way they present themselves. The most alluring always manage to hold something back.

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And yes, in a statement that people who know me will think is totally predictable, let me just say that Koenigsegg have got it just right with Agera. It’s a beautiful design that states its intent with purpose but also flows and is completely functional. The same goes for the Pagani Hayauararauyirara.

Here’s an example of Koenigsegg handing Lamborghini their own arse in terms of hyper/supercar vehicle design. The Koenigsegg Hundra has wheels made of carbonfibre – an industry first. The front wheels weigh just 4.5 kilos each (the rears weigh 6.5 kilos). The Hundra has been sold to an owner in Hong Kong. It’s a one-of-a-kind vehicle with over 1,100hp and it has been sold for less than half the price of the Veneno.

If you can sort out some logic amongst all that, please let me know.

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How do you think a supercar should look? I know that people paying this sort of money want to stand out from the crowd, but aren’t some of these taking things just a little too far?

Damn, I Miss The Car Industry!!

The Geneva Motor Show has begun with a few early reveals, mostly courtesy of the VW-owned group of companies. Pictures of the new Lamborghini Veneno are already online from Lambo’s press presentation. The same hall shows an Audi RS6 Avant and the space-age Volkswagen XL1 eco-mobile as well (just say no).

Right: The crystal meth at Lamborghini’s design studio has had the desired effect.

A number of former Saab colleagues and friends are at Geneva this year. Of course, my former boss Victor Muller will be showing a new concept – the Spyker B6 Venator, which I’d love to see up close. I emailed Jason Castriota yesterday and he was on his way to Geneva, too. A bunch of the guys from Saab PR will be at the Qoros stand and a few others might be there with Volvo and Jaguar Land Rover, too.

Then there are the most interesting cars at the Geneva Show this year. The Alfa Romeo 4C will be shown. The new Rolls Royce Wraith looks absolutely amazing (see below) and I’d love to see that Kia Provo concept for myself, too. The ultimate car – anything this company makes is always the ultimate car – will be the Koenigsegg Hundra and that’ll be at Geneva, too.

It’s times like this when I really, REALLY miss my short time in the industry. It’s wonderful being back home with family and we do live in a special part of the world, but your vocation should be a big part in your life and let’s face it – mine isn’t.

I love cars and I love what the automotive industry offers to people of the world – independence, style, a real and physical connection with each other over vast distances. The pleasure of the road trip.

I love the people in the industry, people who are so passionate about what they do. There’s good reason for that, too, because often what they do is at the cutting edge of industrial technology. On an individual vehicle level, vehicle development can be a slow process (there are no finger-snap solutions, remember). On an industry level, though, things are constantly developing and one company or another has always got something new that pushes the envelope that little bit further. It’s exciting to watch.

I don’t know how I’m going to do this but I’ve GOT to get back into the business of writing about cars. I feel like I’ve got something genuine to share. I care about what people drive, the choices they make. I care about the integrity and creativity of the industry. There are so many wonderful stories to tell about this business – the technology, the experiences people have with their vehicles, the way collectors and enthusiasts can be so dedicated to the vehicles and brands that they love.

I’ve GOT to get back to Geneva next year. I don’t know whether to start following a particular brand closely or a genre of vehicles, but I’ve got to find a way of providing some interesting news and effective coverage of it.

An Australian automotive journalist – one who I had a bit to do with during the Saab years – just announced his retirement today after 43 years in the industry. Oh, the things he must have seen and the good fortune he’s had to cover this industry for so long through both newsprint and online. I should be so lucky.

I bought a URL a few years ago that I thought would be a good one for a wider-perspective look at the industry from an Australian point of view. Maybe it’s time to break that out and spend a year or so building up a proper foundation for it?

Life’s too short to work crap jobs that you hate, isn’t it?

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